Writing seems
to be an awful lot of re-learning things I should already know. I don’t know
why I forget some of these basics, but I continually find myself saying, “Oh
yeah… I knew that,” and wondering why yet again, I went down a road I should
have known went nowhere.
My most
recently forgotten guideline of writing is that first drafts don’t have to be
perfect. This was the very first thing I ever learned about writing a novel,
and I didn’t even realize I‘d been caught in that very counter-productive trap
until last week. Initially, I was only aware that it seemed to be taking a lot
longer than usual for me to get the story moving. It wasn’t till I asked myself
what the holdup was that I acknowledged what was happening and began practicing
something I already know: write first, edit later.
I’ve read the
left-brain/right-brain theories which suggest that creative writing and
technical revising require the use of opposite sides of the brain. Allegedly,
to try to utilize both sides simultaneously results in a kind of cerebral
squabble that ends up clogging the system and cancelling out both endeavors,
like some kind of cognitive conflict of interest. Whether or not this is the
truth, I don’t know. But I do know that for me, editing as I’m writing doesn't work.
In order for me
to get to the story written, I need to drop my “good writing” pretenses, ignore
the sentences that suck along the way, just keep moving, and save the
spit-shining for the edits. I know this… yet until a few days ago, I was
spending hours on paragraphs where no more than a few minutes were needed, at
least in this stage of the game anyway.
I’ve given it
some thought and have narrowed down the culprits which have triggered this
first draft amnesia. The main offender is the new standard I’ve reflexively set
for myself; entirely my fault, no surprise there. I’m working on my third
novel, and with the previous two under my belt, my expectations of myself have
been raised. I reason that by now, I should have a pretty firm grip on what I’m
doing and shouldn’t have to spend a lot of time searching for the right words,
or ransacking the corners of my mind trying to remember some grammatical
technicality or another. That with enough practice we will eventually get good
enough to throw gold on paper with the first flick of our wrists, requiring no
second, third, or fourth drafts, unfortunately, is a myth. At least, I don’t
think that will ever happen for me. I’m almost as dim-witted now as I was two
years ago, and perhaps, even more so. The ordinances of the English language
and the guidelines of good storytelling are vast. When you’re constantly
learning new things, the new information can bury the previous knowledge,
leaving you completely dumbfounded when you should be on the ball. This is
perfectly okay. That’s what re-writes are for.
The second
contributor to this roadblock is having an audience. It’s not a secret anymore
that I’m writing. My prior novels have passed through the hands of many
friends, agents, and fellow writers, and I’m all too aware that this same fate
awaits my current manuscript. I have to remind myself that this is a good
thing. When people are eager to read your next project, it’s a good sign you’re
doing something right. Still, the pressure is unnerving and I have to pretend,
on some level, that no one will ever see it, and try to go back to the days of
hobbyist writing.
The final
villain in this particular drama is my mentor. Oh yeah, I said it. She and I
meet twice a week to do critique, and though we’ve been doing this for almost
two years, things are different now than they were in the early days. For one
thing, I’m no longer new enough at this to play the bright-eyed,
”God-Bless-Your-Ignorant-Heart” novice I was once able to pull off. I’ve spent
two years under her tutorship and in that time, I’ve learned more than I ever
thought there was to know about this craft. I don’t have the luxury of being
uneducated anymore, and that kind of sucks.
Don’t get me
wrong, I adore my mentor. And it isn’t her Master’s degree in English that
intimidates me. Nor is it her years of teaching, or even her owned published
books. The problem is that the book she’s currently writing is really damned
good. From premise to execution, from characterization to climax, this story
casts its golden shadow down hard and heavy on my own project, making it
difficult for me to bring her my weekly progress with any kind of pride. But
this is good, and here is why: it’s forcing me to get better. Not that I need
to feel that I’m a “better writer” than this guy or that girl, but the stakes
are higher now, and for the sake of not embarrassing myself, I need to bring
some pretty powerful stuff to the table.
There are no
doubt thousands of reasons why we slip into bad habits and backslide into
unfavorable territory in writing, but if you look at it from different angles,
you’ll see that for each new barricade there’s a proportionate opportunity to
improve your craft. I think of these stumbling blocks as Fate’s way of upping
the ante and lighting the necessary fire under your ass that will get you back
in the game with your head on straight and your determination resuscitated and
revitalized.
As for
forgetting even the basest principles of writing (such as allowing yourself to
write bad first drafts), I say forget these things as often as you can, because
each time you come back to the basics, you’ll be able to experience the
pleasure of seeing your progress in other ways. Back at the very beginning of
things is where we see the headway we’ve made. Also, as you “fail” more and more,
your armor gets thicker and your tools sharper, so…
Published at http://jsascribes.wordpress.com
