Committed writers dedicated to working together to produce excellent poems, short stories, drama, life writing, and creative non-fiction

Why not contact us for more details about our small, mutually supportive monthly meetings? Don't be shy. No need to be brave!

Sheila 01823 67 28 46 sheilarogers4322@yahoo.com

Valerie 01884 84 04 22 valtay@btinternet.com

Saturday, 15 January 2011

National Trust Volunteer

The dead woman standing speaks

for when she wordlessly suggests we
don’t touch the Louis sixteenth ormolu clock
(whilst silently reminding that our children
are not permitted to test a rather fine example
of a Queen Anne bed)

we beat an arrogant retreat
to the sound of her muttering

“jobsworth”

© Sophia Roberts
all rights reserved

New Floor

Whenever I think
about my floor
I think it once again
an old floor
a good floor
I treated with disdain
I trod on it
I fell on it
covered it with chairs
I even used it pour amour
Such a lovely little floor!
But now they’ve carted
it away
I do not like me any more!

© William Botley
all rights reserved

May Progress

That first time I came
over the Cheshire plains
they were bedecked and swathed
in white lace blossom swags;
decorated as if for our nuptials.

© Sophia Roberts
all rights reserved

Tuesday, 14 December 2010

Circle of Light

What can I do, poised on
The periphery of this event?
Imagining, waiting,
Picturing them…
Mother, Father, Baby…
Perhaps I can conjure them
In a circle of light?

In a city of
A million psyches
Trapped in flats
And partitioned rooms
Under criss-crossing
Silvery planes,
There will be a moment
When the signal goes
And the baby begins her journey.

The breathless hours will propel her
In stops and starts, as
She is pushed up the warm canal
Into a strangely lit room with
Faces gazing down at her,
As she is pitched into
The shocked arms of her parents.

She will lie, skin on skin
On her mother, then her father,
Their tones and smells as familiar
As the dark room she lived in,
Where their voices
Echoed in her watery world.
She will feel the rhythms of
Their breath,
And burrow in the milky folds,
Rocking and murmuring
In her mother’s arms.
Always folded, wrapped tightly,
As eventually she
Begins to open her eyes
And distinguish the map
Of their faces, their smiles,
Sensed before,
Through the muted sounds she has
Heard in her safe, dark sleep.

Above us all in the frosty night sky,
Lies the illuminated stitching of Cassiopeia,
Anchored on veils of starry infinity,
The constellation, complicated and minute,
Registering this moment,
As I await my grand daughter.

© Valerie Taylor
all rights reserved

Sunday, 28 November 2010

A Poet's Tool Kit

I will wear it heart-side out;
I will slide it deftly into the pocket
of my jeans.  It will be small. 

It will be lightweight and strong
pliable as a paperback novella
waterproof and hard-wearing.

There will be space enough to carry
an A4 hard-backed spiral-bound
notebook, with plain and ruled paper,

a fountain pen filled with blue-black ink,
a dictionary, a packet of crayons,
a pencil sharpener, and a rubber eraser.

It will hold the whole company of poets.

There will be Solitude

for the ‘where I’m at’ space:
the place I hide, concealed, cocooned
held safe in a still womb.

There will be Silence

so I can listen out for, try to
hear the rhythm of breathing
and the thrust of a heart-beat

There will be Room

to spread my precious hoard
of words out on the blanket I clutch
for comfort and temporary shelter.

And Nimble fingers

to manipulate their sound
and the shapes they make

as I arrange and rearrange
organise notes on manuscript paper

I will need a structure as I move towards
and alongside releasing and reframing
the something – neither rhetoric, nor prose.

An authentic style to convey the signals,
and communicate the evidence
to carry the message - the intentness and about-ness

over a fragile bridge – in order to tell
you and me both
what I have discovered.

I must have patience and time
to resist the lure of
commodification.

I need the right voice to sing out
or whisper soft into
night’s dark reaches

A tuning fork
to ensure my resonance
is true

A handbag mirror
to reflect
the epiphany

and test that this witness
of what is in the blood
can get up, stand unaided


walk off the page.


© Sophia Roberts
all rights reserved

Monday, 15 November 2010

Towards Michaelmas

Through the empty trees
summer's cygnets sashay past
Grey swans on the turn


© Sophia Roberts
all rights reserved

Ashes

Leaves spill, sway, stagger
Two steps forward, three steps back
Summer’s embers dance

© Sophia Roberts
all rights reserved

Sunday, 4 July 2010

Love in a Supermarket

Dear Diary (Monday)
We touched hands, briefly
She asked, did I need help with my packing?
Her Name Badge said 'Norma'

Dear Diary (Tuesday)
Love is cruel
Norma has a love bite and an engagement ring
We stopped touching

Dear Diary (Wednesday)
'Every Little Helps'
Back to self service
Bye, Norma.


© Harry Mills
all rights reserved

Friday, 2 July 2010

Love in a Supermarket

Veined, pink
Foetal prawns,
Rich green
Minted peas,
Brush of skin on
A hot day
By the cool
Earth smelling
Strawberries.
Eyes touching.
Cynical jokes at
Pre-packed meals.
Tongues stroking,
By the crusty bread.
Meet and marry
At the checkout
Then the consequences
Will be faced.

© Valerie Taylor
all rights reserved

Thursday, 1 July 2010

Ringing the changes

These hard
fruit flavoured
tablet-shaped
sweets
coloured white, 
yellow, orange, 
green, purple 
or red
still feature
a short message
written in capitals 
(the clarity of which is
sometimes compromised)

So no change
since nineteen twenty-eight

save that ‘Love Hearts’
are found in supermarkets

embossed “Email Me”
and “Luv U
24/7”

© Sophia Roberts
all rights reserved